Upon planning the release of Triangle Yur, Sondervan asked me if I could make a generative cover and label for it that was plottable using oldschool pen plotters. I extended the challenge by making every plot unique. The result of this labour-intensive project was several families of record covers, clearly from a common ancestor. That ancestor was a piece of music found on the record, the base DNA from which I extracted more data, visualised as linear waves, wel suited to the medium of plotters.
